XP& | EXPAND DESIGN LTD

Blue Milk invites multiple modes of habitation and is characterised by iridescent swells of blue which reveal a rich monochromatic spectrum across its compound volume.

Its sweeping form simultaneously embraces the user when positioned on its concave elevation, whilst creating a dissection by means of a blade-like vertical horizon line originating at its rear. This vertical blade transitions into distinct horizontal wave forms on each side elevation, creating structural forces that synthesise form, function and surface flow, marking the transition between the blade and waves by blurred surfaces in motion.

The color is inspired by the climactic scene in Jean Luc Godard’s Pierrot le Fou in which the protagonist blows himself up with dynamite after applying blue paint to face.

Composite Material
790 x 820 x 460 mm / 31.1 x 32.3 x 18.1 in
2014

Introducing the reengineered Crater Side Table, the offcuts assembly now doubles as a bench with a mirror-polished steel base reflecting the growth of the form.
Side Table / Bench
Birch Ply, Stainless Steel, Lead Ballast
2150 x 672 x 320 mm / 84.6 x 26.5 x 12.6 in
2013

Galerie Armel Soyer presented Blue Milk and Contoured Crater Suite to an audience of collectors and enthusiasts at the 2014 edition of Art Paris.

Photo by Gilles Pernet.

Contoured Crater Desk was presented by Galerie Armel Soyer during the inaugural edition of Design Shanghai 2014 which took place from February 27th to March 2nd.

Paris-based gallerist Armel Soyer is featured in the current edition of Ideat Magazine, which showcases the home she shares with photographer Gilles Pernet and their two sons. Their design collection includes Ren table and Tootsie rug.
Mikael Zikos. “Maximaliste.” Ideat, March 2014. Feature available to download via link below:

Sharing Galerie Armel Soyer’s 2013 Holiday Greetings featuring Full Circle.

Photo by Gilles Pernet for Vannina Vesperini Spring/Summer 2014 Collection, shot on location at Look Mum, No Hands solo show.

Priveekollektie presented BULGY and Milky Splice to an audience of collectors and enthusiasts during Design Miami 2013, the global forum for design.

Thanks to all who visited.

Happy Holidays!

Photo by James Harris.

Milky Splice is featured in Esprit du meuble et du design: L’évolution esthétique de l’Antiquité à nos jours / Spirit of furniture and design: The aesthetic evolution from ancient times to our days. This new book by French author and design historian Anne Bony chronicles the evolution of furniture typologies over time and is an insightful resource for both scholars and enthusiasts.

Ren marble table is featured in New York Magazine’s 2013 Global Design Issue, their worldwide survey of youthful ambition and ingenuity. The article is available to view below.

Emma Whitford. “Twenty-one Under Thirty-five.” New York Magazine, October 21 2013

For the complete editorial of NY Magazine’s annual survey, please visit:
http://nymag.com/homedesign/urbanliving/2013/

Earlier this month, Priveekollektie presented BULGY to an international audience of collectors and enthusiasts during the annual PAD fair in London’s Berkeley Square.

The work was well received and the occasion marked Expand Design’s very first presentation in London.

Booth photos by Ian Scigliuzzi below.

The fall issue of French quarterly Afrikadaa features an interview with Ifeanyi which is available to view below.

Olivia Anan. “Ifeanyi Oganwu. Shaping Matter.” Afrikadaa, Issue No 6. Oct – Dec 2013.

The illustrated catalogue published by Galerie Armel Soyer to accompany the Look Mum, No Hands exhibition is now available to view online HERE.

The catalogue is art directed by Gilles Pernet, with text by author and design historian Stéphane Laurent.